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The Last Judgment (Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich) The Last Judgment (Moskos) The Last Judgment (Kavertzas) The Last Judgment (Klontzas) The Last ...
The Last Judgment is a triptych by the Early Netherlandish artist Hieronymus Bosch, created after 1482. The triptych is now in the Academy of Fine Arts in Vienna, Austria. The outside of the shutters panel are painted in grisaille on panel, while the inside shutters and the center panel are painted in oil. The left and right panels measure 167. ...
The Last Judgment is a triptych of disputed authorship, either by the Early Netherlandish master Hieronymus Bosch, his workshop, or a collaboration between artist and workshop. It was created after 1486. It is one of eight surviving triptychs by Bosch. [1] The triptych currently resides at the Groeningemuseum in Bruges, Belgium.
Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.
47 cm × 35 cm (18 + 1 ⁄ 2 in × 13 + 3 ⁄ 4 in) Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently purchased by the Kimbell Art Museum, Fort Worth, Texas and attributed to Michelangelo. [10] [11]
Location of birth/death: Caprese Michelangelo: ... painting Date: between 1537 and 1541 ... Description=MICHELANGELO Buonarroti Last Judgment Fresco, 1370 x 1220 cm ...
S. J. Freedberg notes that the two frescos in the Cappella Paolina, Michelangelo's last paintings, begun in November 1542, almost immediately after the Last Judgement, show from the start a major change in style, away from grace and aesthetic effect to an exclusive concern with illustrating the narrative, with no regard for beauty. [6]