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The Four Seasons' version of the song made it to No. 1 in Canada [1] and No. 12 on the US Billboard Hot 100 in 1965. [2] On the original issue of the single, the title was "Bye Bye Baby". However, on the album, The 4 Seasons Entertain You, and on later issues of the song, the name was changed to the longer, more familiar one. The song is about ...
"Bye Bye Baby" features instrumentation from keyboard and lyrically finds Madonna asking questions to a lover she is about to abandon. "Bye Bye Baby" received mixed reviews from music critics, who complimented the composition and lyrics, but were disappointed with Madonna's vocal delivery. The song received limited release worldwide, peaking at ...
"Bye Bye Baby", a song written by Joey Ramone for the 1987 Ramones album Halfway to Sanity and later covered by Ronnie Spector "Bye Bye Baby", a song by Social Distortion from their 1992 album Somewhere Between Heaven and Hell
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
"Bye Bye" is a song written by Rory Bourke and Phil Vassar and recorded by American country music singer Jo Dee Messina. It was released in January 1998 as the first single from Messina's album I'm Alright, and her first number-one single on both the U.S. [1] and Canadian country charts, spending two weeks at number one on the former.
"Bye-Bye" is a song by Japanese singer-songwriter Ayumi Hamasaki. It was released on April 8, 2024, through Avex Trax, and used as the April-May 2024 theme for Minna no Uta. The song peaked at number four on the Oricon Daily Digital Singles Chart upon release, and ranked at number twenty-five on the Oricon Weekly Digital Singles Chart.
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"Bye Bye Baby" is the first single by R&B singer Mary Wells, released in September 1960 on the Motown label. The song was one of Motown's earliest hit singles and showcased a much rougher vocal than the singer had during her later years.