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Psalms 30:4 and Revelation 14:3, among other Scriptural verses, encourage Christians to sing hymns to praise God. [16] As such, since the earliest times, Christians have sung "psalms and hymns and spiritual songs", both in private devotions and in corporate worship.
The Primitive Hymns, Spiritual Songs and Sacred Poems Regularly Selected, Classified and Set in Order (1858) [569] The Baptist Hymn Book: comprising a large and choice collection of psalms, hymns and spiritual songs (1859) [570] The Primitive Baptist Hymnal: a choice collection of hymns and tunes of early and late composition (1881) [571]
As such, "psalms, hymns and spiritual songs" in Ephesians 5:19 and Colossians 3:16 would serve as a hendiatris, referring to the various titles of the Psalms as used in the Septuagint. Another basis would be the Christology of the Psalms, especially seen in Hebrews 2:12 quoting Psalm 22:22 as the words of Christ, demonstrating Christ being ...
A Few Hymns and Spiritual Songs for the Last Days Compiled 1974 Horsham, Sussex J.F. Trussler 401 Hamilton Brethren Psalms and Hymns and Spiritual Songs Selected 1978 Wooler, Northumberland Central Bible Hammond Trust 500 Kelly/Lowe/Glanton ("Reunited") Brethren Supplement to Hymns and Spiritual Songs for the Little Flock Additions 1984 Lancing
The 1973 edition of the Primitive Baptist songbook Harp of Ages features "Balm in Gilead" with verses from a Charles Wesley hymn. The second verse of the spiritual also appears in versions of another spiritual, "(Walk That) Lonesome Valley", illustrating the common practice of shared verses in camp meetings and revivals.
Each hymn in the Psalmody was cross-referenced by page number to the "Manchester Hymnal" and only used a few verses of the full hymn text. In many respects, the Latter-day Saints' Psalmody represented a high-water mark in LDS hymnody. By today's standards many of the hymns are quite challenging, even for choirs, let alone congregational singing.
Isaac Watts wrote and published a collection of hymns and spiritual songs in the early 18th century. But, Jonathan Swift and Samuel Johnson parodied Calvin's beliefs, claiming that religion and poetry could not mix because the poetry could be damaged: [ 1 ] Swift claimed that "the smallest quantity of religion, like a single drop of Malt-Liquor ...
The words and music of this refrain probably originated in camp meetings of the time. [4] [10] [11] When this chorus is included, the hymn is often known as "At the Cross". [1] [4] [12] Hudson also wrote a new tune in a gospel style for the verses; this tune is known as Hudson.
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