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Marie-France Pisier (10 May 1944 – 24 April 2011) was a French actress, screenwriter, and director. She appeared in numerous films of the French New Wave , and twice earned the national César Award for Best Supporting Actress .
Chanel Solitaire is a 1981 British-French-American historical drama film directed by George Kaczender and starring Marie-France Pisier, Timothy Dalton, Rutger Hauer, Brigitte Fossey, Karen Black, Lambert Wilson. The film's subject was Coco Chanel. [1] Its budget was around £7 million. [2]
The Other Side of Midnight is a 1977 American drama film directed by Charles Jarrott and starring Marie-France Pisier, John Beck, and Susan Sarandon. Herman Raucher and Daniel Taradash wrote the screenplay based on Sidney Sheldon's 1973 novel of the same name.
The Lady Banker (1980) (original French title La Banquière), is a French drama film directed by Francis Girod, written by Georges Conchon and Francis Girod, starring Romy Schneider, Jean-Louis Trintignant, Marie-France Pisier, Claude Brasseur, Jean-Claude Brialy, Daniel Auteuil and Thierry Lhermitte; the music is by Ennio Morricone.
Trans-Europ-Express is a 1966 experimental film written and directed by Alain Robbe-Grillet and starring Jean-Louis Trintignant and Marie-France Pisier.The title refers to the Trans Europ Express, at the time an international rail network in Europe.
Told in nonlinear fashion, with frequent flashbacks to the four previous films, it stars Jean-Pierre Léaud, Marie-France Pisier, Claude Jade, Dani and Dorothée. It was entered into the 29th Berlin International Film Festival.
Marie-France Pisier, including sections based on original stories by Henry James. Produced by: Barbet Schroeder: Starring: Dominique Labourier Juliet Berto Bulle Ogier Marie-France Pisier: Cinematography: Jacques Renard: Edited by: Nicole Lubtchansky: Music by: Jean-Marie Senia: Distributed by: Les Films du Losange
The film stars Isabelle Adjani, Marie-France Pisier and Isabelle Huppert as the Brontë sisters. The cinematography was by Bruno Nuytten. It was a project that Téchiné wanted to make since 1972, but only after the favourable reception of Souvenirs d'en France (1975) and Barocco (1976), he was able to