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Pylon was an American new wave/post-punk band from Athens, Georgia, United States, [1] who were active from 1979 to 1983, 1989 to 1991, and 2004 to 2009. The band consisted of singer Vanessa Briscoe Hay, guitarist Randall Bewley, bassist Michael Lachowski, and drummer Curtis Crowe.
The 40 Watt Club was the primary performance space for numerous "Athens bands", including Pylon, R.E.M., Love Tractor, Dreams So Real, Guadalcanal Diary, The Primates, Modern Skirts, and others. Its DIY ethos and informality were instrumental in the fostering of punk rock and a "scene" in Athens.
Gate 13 (Greek: Θύρα 13), is the name of the ultras group of the Greek multi-sports club Panathinaikos A.O. Officially founded on November 19, 1966, Gate 13 is the oldest supporters' union in Greece. Gate 13 is one of the most powerful ultras group in Europe and has members from all over Greece and Europe, while over the years it has become ...
Many are complaining on both sides of the short-term rental properties issue in Athens. See what officials hope to do about it. Athens officials pass zoning rule to halt growth of short-term rentals.
Athens-based burlesque artist Vianca Champagne is shown in this photo taken at Hotel Indigo in March 29, 2023. Champagne is the producer and host for the Athens Spectacular event on June 15, 2024 ...
The 40 Watt Club is scheduled to host a book signing event and concert for "Zenith Man" on Saturday, Aug. 3. Book release event connects 1997 Georgia murder case with Athens music scene Skip to ...
In 2011, he moved at AEK Athens academy and on 21 August 2015 he signed a professional contract for three next years. [1] Despite having André Simões and Jakob Johansson in front of him in the AEK 's roster, Galanopoulos managed to earn playing time this season with the club and showed great potential for his career ahead.
In 1918, it was decided that the official crest of the club would be the trifolium, symbol of unity, harmony, nature, and good luck, an idea of player Michalis Papazoglou. The officials of the club were looking for a universal, non-nationalistic or localistic symbol, aiming to represent the whole Athens at the country and further at the world. [4]
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