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Christopher Hawkins is a highly respected English ballroom dancer and teacher of competitive Ballroom dancing. He won the Professional World Ballroom Dance Championship three times, with Hazel Newberry MBE (2002–2004). The partnership also became champions of the coveted Open British Professional Ballroom Championship at the world renowned ...
Its main specialties are social partner-dancing, competitive ballroom dance (aka. Dancesport) and the Latin-dance-based aerobic program Core Rhythms. [1] The studio also hosts weekly social dances open to the public, and other monthly events hosted by local dance and social organizations. [2] [3]
Diane Jarmalow, 2011, Teach Like a Pro, Ballroom Dance Teachers College, ISBN 978-0983526100 Rudi Trautz, 2021, The Art of Teaching Social Dancing , ISBN 978-3943599862 Thomas Hill, 2022, How to Teach Ballroom Dancing , ISBN 979-8842347698
Imperial Society of Teachers of Dancing, UK - ballet, modern, theatre, national dance, Greek dance, Classical Indian, ballroom, sequence, disco International Dance Teachers Association , UK International Dance Council , part of UNESCO, based in Paris, France
Tony Meredith, who is of Mexican and Samoan descent, was born in San Diego, California, US, discovered ballroom dancing after replying to a newspaper advertisement seeking dance teachers. [1] His cousin taught him how to Hustle in the garage which ignited his love of dancing.
Vernon and Irene Castle, early ballroom dance pioneers, c. 1910 –18. Modern ballroom dance has its roots early in the 20th century, when several different things happened more or less at the same time. The first was a movement away from the sequence dances towards dances where the couples moved independently.
The National Dance Council of America, (NDCA) – is the Official Governing Council of Dance and Dancesport in the United States of America. With 17 Member Organizations encompassing more than 25,000 dance professionals and over 110 sanctioned competitions and championships, it is the leading authority of dance for Professionals, Amateurs and Pro/Am Competitors.
This system, by giving dancers something to aim for, made for better dancing and meant financial survival for many small dance schools. In 1938 and 1939, the Society initiated the Juvenile and Junior Championships at the Blackpool Dance Festival. This was an epoch-making moment, for until then, all ballroom dance competitions were for adults.
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