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According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation." [10] Wade argues that the aim is to transfigure, turning mosques "into lightness and pattern", while "the decorated pages of a Qur’an can become windows onto the infinite."
Within the tradition of Golden Age Muslim mathematics, double false position was known as hisāb al-khaṭāʾayn ("reckoning by two errors"). It was used for centuries to solve practical problems such as commercial and juridical questions (estate partitions according to rules of Quranic inheritance ), as well as purely recreational problems.
It has been historically used in various religious and cultural contexts and as decorative motifs. The symbol was used as a decorative motif in medieval Christian churches and Jewish synagogues. [1] In the medieval period, a Muslim mystical symbol known as the Seal of Solomon was depicted as either a hexagram or pentagram. [2] [3]
Christian sacred art is produced in an attempt to illustrate, ... Shi'a Muslims are much less averse to the depiction of figures, ... Alhambra Palace Geometry.
Articles relating to sacred geometry, which ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. Pages in category "Sacred geometry" The following 26 pages are in this category, out of 26 total.
One example of the use of geometry to indicate a specific message is visible over the entrance of one of the Kharraqan towers, where star-shaped polygons frame the word "Allah" (God). The development of vegetal ornament from Egypt, the ancient Near East, and the Hellenistic world culminated in the Islamic arabesque . [ 3 ]
Architecture was classified in the field of practical geometry in the early Islamic period, and building projects always involve a muhandis (geometer). [5] In addition, no clear border was established between science and craft; [ 5 ] thus, the craftsmen usually followed the mathematicians’ principles and guidelines directly.