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The tyet (Ancient Egyptian: tjt), sometimes called the knot of Isis or girdle of Isis, is an ancient Egyptian symbol that came to be connected with the goddess Isis. [1] Its hieroglyphic depiction is catalogued as V39 in Gardiner's sign list.
Coptic art displays a mix of Egyptian and Hellenistic influences. [3] Subjects and symbols were taken from both Greek and Egyptian mythology, sometimes altered to fit Christian beliefs. Persia and Syria also influenced Coptic and Hellenistic art, though to a lesser extent, leaving images such as the peacock and the griffin.
The image was also a common protective device over temple entrances. Winged disks are a popular motif in Egyptian Revival architecture and art [108] Ancient Egyptian architects used sun-dried and kiln-baked bricks, fine sandstone, limestone and granite. Architects carefully planned all their work.
Canaanite scarabs imitate contemporary Egyptian late Middle Kingdom designs, while also introducing new decorative elements and symbols. [21] Scarabs made by Canaanite artisans show extensive use of linear and cross hatching on the bodies of the various figures, representations of native animals, and the use of the palm branch .
Nefertiti bust, from the 18th dynasty, New kingdom Egyptian death mask from the 18th dynasty. Louvre, Paris portrait of Meritamun, 19th dynasty of Egypt. Portraiture in ancient Egypt forms a conceptual attempt to portray "the subject from its own perspective rather than the viewpoint of the artist ... to communicate essential information about the object itself". [1]
The djed, an ancient Egyptian symbol meaning 'stability', is the symbolic backbone of the god Osiris.. The djed, also djt (Ancient Egyptian: ḏd 𓊽, Coptic ϫⲱⲧ jōt "pillar", anglicized /dʒɛd/) [1] is one of the more ancient and commonly found symbols in ancient Egyptian religion.
Kneph, also as Kmeph, is a god and motif of divinity in ancient Egyptian religious art, variously represented as a winged egg, a globe surrounded by one or more serpents, or Amun in the form of a serpent called Kematef. [1] Some Theosophical sources tried to syncretize this motif with the deity Khnum, along with Agathos Daimon, Serapis and Pluto.
Combining Egyptian and Greek pictorial forms or motifs was not restricted to funerary art, however: the public and highly visible portraits of Ptolemaic dynasts and Roman emperors grafted iconography developed for a ruler's Greek or Roman images onto Egyptian statues in the dress and posture of Egyptian kings and queens.