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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
As drawing techniques evolved, artists combined red chalk with other chalks, including white chalk. The use of white chalk allowed artists to enhance lighting effects in their drawings. However, since white chalk was barely visible on white paper or parchment, artists began to use a toned background to allow the technique to work effectively.
Norman Lewis was the only African-American artist among the first generation of abstract expressionists, but his work was overlooked by both White and African-American art dealers and gallery owners. [11] In his last 20 years, Lewis created and developed his very own unique blending of abstraction and figuration.
Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter and Art theorist active in New York City for more than three decades. As a theorist he wrote and lectured extensively on art and was a major influence on conceptual art, minimal art and monochrome painting.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Title Year produced Year colorized Distributor and color conversion company Babes in Arms: 1939: 1993: Turner Entertainment [45] [46]: Babes in Toyland: 1934: 1991: American Film Technologies
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The Stations of the Cross series of black and white paintings (1958–1966), begun shortly after Newman had recovered from a heart attack, usually is regarded as the peak of his achievement. The series is subtitled Lema sabachthani - "Why have you forsaken me" - the last words spoken by Jesus on the cross, according to the New Testament .
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