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An end-stopped line is a feature in poetry in which the syntactic unit (phrase, clause, or sentence) corresponds in length to the line. Its opposite is enjambment , where the sentence runs on into the next line.
The use of figurative language as a poetic device function to convey the poet's intended meaning in various ways. Allusion–A brief reference to a person, character, historical event, work of art, and Biblical or mythological situation. Analogy–Drawing a comparison or inference between two situations to convey the poet's message more ...
In the last phase of his career, Shakespeare adopted many techniques to achieve these effects. These included enjambments, irregular pauses and stops, and extreme variations in sentence structure and length. [11] In Macbeth, for example, the language darts from one unrelated metaphor or simile to another in one of Lady Macbeth's well-known ...
Crosswordese is the group of words frequently found in US crossword puzzles but seldom found in everyday conversation. The words are usually short, three to five letters, with letter combinations which crossword constructors find useful in the creation of crossword puzzles, such as words that start and/or end with vowels, abbreviations consisting entirely of consonants, unusual combinations of ...
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [32] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
An acrostic puzzle published in State Magazine in 1986. An acrostic is a type of word puzzle, related somewhat to crossword puzzles, that uses an acrostic form. It typically consists of two parts. The first part is a set of lettered clues, each of which has numbered blanks representing the letters of the answer.
John Martin-Harvey described him as the acknowledged Shakespearean clown of his day, and his portrayal of Dogberry (1882 and 1893) reflects this claim. [ 5 ] [ 6 ] [ 7 ] In a noted 1976 Royal Shakespeare Company (RSC) production set in India during the British Raj , John Woodvine played Dogberry "as a member of the local constabulary with a ...
Other versions of the material, such as John Lydgate's "Troy Book" and Caxton's "Recuyel of the History of Troy", were at the time of Shakespeare in England in circulation and probably known to him. [16] [17] The story was a popular one for dramatists in the early 17th century and Shakespeare may have been inspired by contemporary plays.