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Title: Red Horse drawing of cavalry troops on horseback at Little Bighorn, 1881. Contained in: Red Horse pictographic account of the Battle of the Little Bighorn, 1881. Phy. Description: 1 drawing : graphite, colored pencil, and ink ; 61 x 92 cm. Digital Reference: Image Place of creation: United States South Dakota Cheyenne River Agency.
Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses; The Blue Rider (Kandinsky) Boar hunter (Hermitage Museum) Bonaparte Before the Sphinx; Bonaparte Crossing the Alps; Le Boulevard de Montmartre, Matinée de Printemps
Media in category "Clowns in art" The following 2 files are in this category, out of 2 total. Le Grand Cirque (1956).jpg 421 × 237; 136 KB.
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Horses in Landscape is a watercolour with pencil on paper by the German painter Franz Marc, executed in 1911. It is probably a study, which was thought to be lost, for the painting Blue Horses (1911). The painting became known worldwide on the occasion of the Schwabing art discovery in November 2013.
Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical detail. [1] As a student, Degas had filled his notebooks with drawings of horses.
In all, the nine graves on the 3.2-acre site show the skeletons of 28 horses, all buried roughly 2,000 years ago. Located in Villedieu-sur-Indre in central France, that first pit offered up the ...
The canvas features acrobats, trapeze artists and clowns. [1] The subject of circus was dear to the artist. [2] Chagall often returned to the circus as a subject matter in his artworks. [3] He considered clowns, acrobats and actors as tragically human beings who are like characters in certain religious paintings. [4]
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