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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus , the play depicts the Moorish military commander Othello as he is manipulated by his ensign , Iago , into suspecting his wife Desdemona of infidelity.
Othello: 1602–1604 [12] (c. 1603) First published in 1622 in quarto format by Thomas Walkley. Included in the First Folio the following year. Probably first performed for King James I at the Whitehall Palace on 1 November 1604. [12] Summary Othello, a Moor and military general living in Venice, elopes with
This is an adaptation of Shakespeare's Othello, revolving around Kannan Perumalayan, a Theyyam artist who corresponds to Othello, and Thamara, the beautiful daughter of the village head. While Unni Thampuran hates Kannan because he had a crush on Thamara, and Paniyan, who plays a Komali, covets the role of Theechamundi which Perumalayan holds.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio. There, he is simply referred to as the Moor.
Iago is a major character in William Shakespeare's 1603 play Othello. His role is one of Othello 's outwardly loyal courtier and friend, who in fact hates him and schemes his downfall. He also manipulates his friends and master into doing his bidding, eventually persuading Othello to believe that his wife, Desdemona , has been having an affair ...
Asimov's Guide to Shakespeare, vols I and II (1970), ISBN 978-0-517-26825-4. Gramercy Books. Gramercy Books. Nearly 800 pages long plus an index, the work was originally published in two volumes; Greek, Roman and Italian in the first and 'The English Plays' in the second.
Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's ...
Asserting Shakespeare's singular popularity throughout the world, Bloom proclaims him the only truly multicultural author. Repudiating the "social energies" to which historicists ascribed Shakespeare's authorship, Bloom pronounces his modern academic foes to be but "caricatures of Shakespearean energies".