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The film consisted of six tracks written by Pa. Vijay, Na. Muthukumar, Kabilan and Madhan Karky, the latter wrote a song in Chinese language. The soundtrack was released at the launch event held in Chennai Trade Centre on 22 September 2011, with Sony Music India distributing the album in digital and physical formats.
Xinyao (Chinese: 新謠; pinyin: Xīnyáo) is a genre of songs originating from Singapore. [1] It is a contemporary Mandarin vocal genre that emerged between the late 1970s to 1980s. [ 2 ] [ 3 ] Xinyao songs are typically composed and sung by Singaporeans , although there are exceptions: one of the most notable being Eric Moo , who is not ...
It is the official theme song for the World Classical Tamil Conference 2010, encapsulating the contributions of Tamil culture and literature down the ages. The song, a tribute to the Tamil language , features a fusion of various musical styles, including Carnatic , folk , acoustic , Sufi , rock and rap .
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"The Wandering Songstress" was performed in a traditional Chinese vocal style, accompanied by Chinese music instruments such as erhu, pipa, and sanxian in the manner of a Jiangnan ballad. According to He, the recording was done quickly as Zhou Xuan grasped the idea of how the song should be performed very quickly.
"Nothing to My Name" [a] (Chinese: 一无所有; pinyin: Yīwúsuǒyǒu) is a 1986 Mandarin-language rock song by Cui Jian. It is widely considered Cui's most famous and most important work, and one of the most influential songs in the history of the People's Republic of China, both as a seminal point in the development of Chinese rock music and as a political sensation.
The soundtrack for the Tamil version of the film was intended to be launched on 31 March 2011, [5] but instead the album was released on the occasion of Tamil New Year (14 April 2011) at Sathyam Cinemas, with director Mani Ratnam, cinematographer P. C. Sreeram, actors Arya, Jayam Ravi and Shiva and the film crew felicitating the event. [6]
The song was released in 1980 and became highly successful in Taiwan as a nationalistic anthem. [5] It stayed top in the list of the most popular songs of Minsheng newspaper for fifteen weeks. [6] Hou later emigrated to mainland China in 1983, where the song also became popular, and it was interpreted as a pan-Chinese call for unification. [3]