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Saturn Devouring His Son is a painting by Spanish artist Francisco Goya.It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Fragment of the painting shows brushstrokes resembling sketches, characteristic of Goya's style. The woman is depicted against a typical dark, uniform background, often used in Goya's portraits, which allows the viewer's attention to focus entirely on the figure. The only decorative element visible is the ornate chair back on the left.
Goya's early career as a painter in the court of Charles III is marked by portraits of the Spanish aristocracy and tapestry cartoons in a Rococo style. Continuing to produce official portraits and paintings for the courts of Charles IV and Ferdinand VII , Goya's middle period is also notable for print series that satirize the human condition ...
The Incantation [1] (Spanish: El conjuro) is a painting by the Spanish artist Francisco Goya. It belongs to a series of six cabinet paintings, each approximately 43 × 30 cm, with witchcraft as the central theme. The paintings do not form a single narrative and have no shared meaning, so each one is interpreted individually.
The Colossus (also known as The Giant), is known in Spanish as El Coloso and also El Gigante (The Giant), El Pánico (The Panic) and La Tormenta (The Storm). [2] It is a painting traditionally attributed to Francisco de Goya that shows a giant in the centre of the canvas walking towards the left hand side of the picture.
Painting the tapestries helped Goya become a keen observer of human behavior, which helped him paint his future paintings. Goya was influenced by Neoclassicism, which was gaining favor over the Rococo style at the time. This particular painting is considered classicism for its relation to everyday life.
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