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"Moanin' at Midnight" is a blues song written and recorded by Howlin' Wolf in 1951. The recording was released on Chess Records as his debut single. It charted on Billboard 's R&B chart , but the B-side , " How Many More Years ," became the popular side of the record.
"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
"Chitlins con Carne" is a jazz blues instrumental composed by guitarist Kenny Burrell and first released on his 1963 album Midnight Blue. The original version featured Burrell on guitar, Stanley Turrentine on tenor saxophone, Major Holley on bass, Billy Gene English on drums, and Ray Barretto on congas.
In its sixth week on the Billboard Hot 100, "Midnight Blue" entered the Top 40 at #40 on the chart dated 14 June 1975, with the track ranked at #2 on that week's Billboard Easy Listening chart: "Midnight Blue" would spend the weeks of 21–28 June at #1 on the Billboard Easy Listening chart - eventually being cited as the #1 Easy Listening hit ...
"Midnight Blue" reached #13 in the Netherlands in November 1982. In December the track entered the French charts where it remained for 31 weeks reaching number 1 in the Christmas of 1983. At the same time Michèle Torr hit the French charts with a rendering in French by lyricist Pierre Delanoë entitled "Midnight Blue en Irlande" (#13).
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
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Traditional blues verses in folk-music tradition have also been called floating lyrics or maverick stanzas.Floating lyrics have been described as “lines that have circulated so long in folk communities that tradition-steeped singers call them instantly to mind and rearrange them constantly, and often unconsciously, to suit their personal and community aesthetics”.
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