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The term contrast ratio may be preferred for the luminance range in a scene. [14] DSC: Digital Still Camera. Prefix on image filenames produced by various digital cameras. DSLR: Digital single-lens reflex camera; also dSLR. [2] ED: Extra low dispersion glass. Used in composite lenses to reduce chromatic aberration.
The fourth degree in major may be substituted for a seventh chord to create a "bluesy" sound. In a progression going up a fourth, if the first chord is a minor seventh chord, it can also be substituted for a seventh chord; a relative second degree can also be added before it to create a ii–V–I turnaround. (A sole minor seventh or seventh ...
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
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The most commonly used dissonant chord in a pop song context is the dominant seventh chord built on the fifth scale degree; in the key of C Major, this would be a G dominant seventh chord, or G7 chord, which contains the pitches G, B, D and F. This dominant seventh chord contains a dissonant tritone interval between
2. describes the chords, rhythms, and countermelodies that instrumental players used to support a musician's melody and improvised solos. 3. Ostinato comping (jazz) 1. to comp; action of accompanying. con With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also ...
Borrowed chords are widely used in Western popular music and rock music. For example, there are a number of songs in E major which use the ♭ III chord (e.g., a G major chord used in an E major song), the ♭ VII chord (e.g., a D major chord used in an E major song) and the ♭ VI chord (e.g., a C major chord used in an E major song). All of ...
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl