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The Book of Lamentations (Hebrew: אֵיכָה, ʾĒḵā, from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. [1] In the Hebrew Bible , it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs , Book of Ruth , Ecclesiastes , and ...
Song of Songs 1 (abbreviated [where?] as Song 1) is the first chapter of the "Song of Songs" or "Song of Solomon", a book of the Hebrew Bible or Old Testament of the Christian Bible. [ 1 ] [ 2 ] This book is one of the Five Megillot , a group of short books, together with Ruth , Lamentations , Ecclesiastes and Esther , within the Ketuvim , the ...
The Five Scrolls or the Five Megillot (Hebrew: חמש מגילות [χaˈmeʃ meɡiˈlot], Hamesh Megillot or Chomeish Megillos) are parts of the Ketuvim ("Writings"), the third major section of the Tanakh (Hebrew Bible). [1] The Five Scrolls are the Song of Songs, the Book of Ruth, the Book of Lamentations, Ecclesiastes and the Book of Esther ...
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet.The text is adapted from the Latin Vulgate translation of Lamentations 1:12.
This authorship discussion is about within the individual chapter-specific articles: Lamentations 1 etc. For this main article, Book of Lamentations there is a case to made for the notable historical viewpoint about Jeremiah; indeed there is already a paragraph about it. So having already got that in the main article, there seems nothing to be ...
The tenor text is a modified quotation taken from the Book of Lamentations (1.2), the biblical lament about the fall of Jerusalem: Omnes amici ejus spreverunt eam, non est qui consoletur eam ex omnibus caris ejus. ('All her friends have scorned her; of all her beloved ones there is not one to comfort her.'),
Originally specialists in singing lamentations, gala appear in temple records dating back from the middle of the 3rd millennium BC. [1] According to an old Babylonian text, Enki created the gala specifically to sing "heart-soothing laments" for the goddess Inanna. [2] Cuneiform references indicate the gendered character of the role. [3]