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[9] [10] [11] The other two exemplars are undisputed copies: one (232.5 x 160 cm) at the Museo de Santa Cruz, Toledo (Spain), discovered by Roberto Longhi in 1920, which was much ruined during the Spanish Civil War and whose authorship is uncertain; the other one (209 x1 51.5 cm) at the Musée des Beaux-Arts de Dijon (France), long attributed ...
The horses come together to Moors and Christians, the Fiestas de Caravaca de la Cruz are held from 1 to 5 May in honor of the patron saint of the village, the Blessed and Vera Cruz de Caravaca. The horses came from Caravaca de la Cruz, on 2 May was done with the streets of the city with its splendid robes embroidered in silk and gold, and the ...
Understood to be the original version of the Lute Player: c. 1596: Lute Player: Saint Petersburg, Hermitage Museum: 94 × 119 cm Oil on canvas: c. 1596: Lute Player: New York City, Metropolitan Museum of Art (on loan) 100 × 126,5 cm Oil on canvas: c. 1596: Basket of Fruit: Milan, Biblioteca Ambrosiana: 46 × 64 cm Oil on canvas: c. 1596 ...
The total compensation for the paintings was reduced to 300 scudi for unknown reasons. [6] The paintings were finally installed in the chapel on 1 May 1605 by the woodworker Bartolomeo who received four scudi and fifty baiocchi from the Ospedale for his work. [7] The first version. Giovanni Baglione's Life of Michelagnolo da Caravaggio ...
A notary's copy of the contract between Caravaggio and Cerasi. The two lateral paintings of the Cerasi Chapel were commissioned in September 1600 by Monsignor Tiberio Cerasi, Treasurer-General to Pope Clement VIII who purchased the chapel from the Augustinian friars on 8 July 1600 and entrusted Carlo Maderno to rebuild the small edifice in Baroque style. [1]
Estipite in the Basilica of la Vera Cruz in Caravaca de la Cruz, Region of Murcia, Spain. Estitipes on the facade of the Parroquia Antigua in Salamanca, State of Guanajuato, Mexico. The estipite column is a type of pilaster typical of the Churrigueresque Baroque style of Spain and Spanish America used in the 18th century. [1]
He consulted Maria Letizia Paoletti, who argued the large number of pentimenti visible under X-ray images proved the painting was the original. Sir Denis Mahon, who had in 1993 authenticated the Dublin version, in 2004 stated that the Sannini version was Caravaggio's original, but that the Dublin version was a copy by Caravaggio himself. This ...
[3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4] They cut the painting from its frame, [2] [4] and also took a carpet from the oratory which authorities believe was used to roll up the ...
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