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Comfort was the first priority of Second Empire furniture. Chairs were elaborately upholstered with fringes, tassels, and expensive fabrics. Tapestry work on furniture was very much in style. The structure of chairs and sofas was usually entirely hidden by the upholstery or ornamented with copper, shell, or other decorative elements.
Comfort was the first priority of Second Empire furniture. Chairs were elaborately upholstered with fringes, tassels, and expensive fabrics. Tapestry work on furniture was very much in style. The structure of chairs and sofas was usually entirely hidden by the upholstery or had copper, shell, or other decorative elements as ornamentation.
Other major furniture centers renowned for regional interpretations of the American Empire style were Boston, Philadelphia, and Baltimore. Many examples of American Empire cabinetmaking are characterized by antiquities-inspired carving, gilt-brass furniture mounts, and decorative inlays such as stamped-brass banding with egg-and-dart , diamond ...
The Second Empire style frequently includes a rectangular (sometimes octagonal) tower as well. This tower element may be of equal height to the highest floor, or may exceed the height of the rest of the structure by a story or two. A third feature is massing. Second Empire buildings, because of their height, tend to convey a sense of largeness.
For the increasing bourgeois audience, the rococo-revival paintings presented an optimistic outlook on life and were appropriate to the new Parisian ‘nobility’ of the late Second Empire. Ingra notes that, "The vogue for rococo imagery [during the Second Empire] however, represented more than a shift in patronage and, consequently, taste.
French furniture of the Revolution and the First French Empire is imbued with a more severe, self-consciously archaeological phase of Neoclassicism, which began to lose its grip on styles in the 1830s, with Gothic and Rococo revivals, leading to the eclecticism of the French Second Empire.
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