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The Concrete poetry was an avant-garde movement started in Brazil during the 1950s, characterized for extinguishing the general conception of poetry, creating a new language called ''verbivocovisual''. [75] its significant figures are Augusto de Campos, Haroldo de Campos, and Décio Pignatari.
Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. [1] Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development.
A line break is the termination of the line of a poem and the beginning of a new line. The process of arranging words using lines and line breaks is known as lineation, and is one of the defining features of poetry. [2] A distinct numbered group of lines in verse is normally called a stanza. A title, in certain poems, is considered a line.
The Movement produced two anthologies, Poets of the 1950s (edited by D. J. Enright, published in Japan, 1955) and New Lines (edited by Robert Conquest, 1956).Conquest, who edited the New Lines anthology, described the connection between the poets as "little more than a negative determination to avoid bad principles".
Poetry can be described as all of the following things: One of the arts – as an art form, poetry is an outlet of human expression, that is usually influenced by culture and which in turn helps to change culture. Poetry is a physical manifestation of the internal human creative impulse.
There were four forms of onomatopoeia that the Futurists advocated: direct, indirect, integral, and abstract. The first of these four is the usually onomatopoeia seen in typical poetry, e.g. boom, splash, tweet. They convey the most realistic translation of sound into language.
In this, he called for a poetry of "open field" composition to replace traditional closed poetic forms with an improvised form that should reflect exactly the content of the poem. This form was to be based on the line, and each line was to be a unit of breath and of utterance. [ 2 ]
Lettrism is a French avant-garde movement, established in Paris in the mid-1940s by Romanian immigrant Isidore Isou. [1] In a body of work totaling hundreds of volumes, Isou and the Lettrists have applied their theories to all areas of art and culture, most notably in poetry, film, painting and political theory.