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The 10th sultan of the Ottoman Empire, Suleiman was known in the Ottoman Empire as Suleiman Kanuni ("the Lawgiver"), due to the laws he promulgated. After the fall of the Abbasid Caliphate in 1258, a practice known to the Turks and Mongols transformed itself into Qanun, which gave power to caliphs , governors , and sultans alike to "make their ...
Suleiman I (Ottoman Turkish: سليمان اول, romanized: Süleyman-ı Evvel; Turkish: I. Süleyman, pronounced; 6 November 1494 – 6 September 1566), commonly known as Suleiman the Magnificent in Western Europe and Suleiman the Lawgiver (Ottoman Turkish: قانونى سلطان سليمان, romanized: Ḳānūnī Sulṭān Süleymān) in his Ottoman realm, was the longest-reigning sultan ...
In Turkish, Suleiman the Magnificent is known as "Kanuni", the "Lawgiver", for his contribution to the formulation of Ottoman sultanic code. [2] Reform efforts
The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Suleiman marching with his army in Nakhichevan, summer 1554, during the Ottoman-Safavid War of 1532-1555. One of the scenes of the Süleymannâme. The Süleymannâme (or Sulaiman-nama; [1] lit. "Book of Suleiman") is an illustration of Suleiman the Magnificent's life and achievements. In 65 scenes the miniature paintings are decorated with gold ...
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb) and opposition (تضاد tezâd)—were more or less prescribed ...
Double page from the "Divan-i Muhibbi", sultan Suleiman's collected poems written under the pseudonym Muhibbi, illuminated by Kara Memi. Istanbul, 1566. Istanbul University Library. Turkish or Ottoman illumination refers to non-figurative painted or drawn decorative art found in manuscripts or on sheets in muraqqa. [1]