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As a result there are many different versions of the story of Phaedra and Hippolytus, but they all share the same general structure, with two versions becoming more prominent over time. Version 1 depicts Phaedra as the shameless and lustful wife of Theseus, the King of Athens. The other version, Version 2, shows Phaedra in a much kinder light ...
Act 3: Theseus is back from Hell asks the nurse of his wife, he finds before him, the cause of the grief of his house: it tells him something else, but that Phaedra has resolved to kill (1). Phaedra first pretended she would rather die than to report the violence to Theseus that he has done: as Theseus and made threats to the nurse to tell him ...
While historians believe that Phaedra was heavily influenced by Euripides' Hippolytus, there are several differences in plot and tone. [5] Literary scholar Albert S. Gérard states that, unlike the Phaedra of Hippolytus , Seneca's Phaedra is a thoughtful and intelligent character that acknowledges the improper and amoral nature of her feelings ...
Theseus discovers a letter on Phaedra's body, which falsely asserts that she was raped by Hippolytus. Enraged, Theseus curses his son either to death or at least exile. To execute the curse, Theseus calls upon his father, the god Poseidon, who has promised to grant his son three wishes. Hippolytus enters and protests his innocence but cannot ...
Theseus has just been told by Oenone that Hippolytus has attempted to take Phèdre by force. Overcome by rage, Theseus banishes Hippolytus and invokes the god Neptune, who has promised to grant any wish of Theseus, to avenge him by his son's death. Protesting his innocence, Hippolytus discloses his secret love for Aricia to his incredulous ...
6 Phaedra and Hippolytus. 1 comment. 7 Theseus wasn't king. 4 comments. 8 Dubious. 4 comments. 9 ...
Phaedra approaches Hippolytus, regardless of the warnings she has heard. Hippolytus openly speaks about his multiple sexual partners and reinforces how he doesn't care for any of them and won't care for Phaedra. Phaedra confesses her love for him, but he spurns her, telling her she will only be hurt. She then proceeds to perform fellatio on him.
The characters Eben, Abbie, and Ephraim roughly correspond with Hippolytus, Phaedra, and Theseus respectively. Both plays are driven by a love triangle between a father, a son, and a stepmother, and the tragedy arises from misguided actions made by the stepmother. In Phaedra's case it is her lust of her husband's son and the falseness of her ...