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Traces of Death is a 1993 American mondo film that consists of various scenes of stock footage depicting death and real scenes of violence.. Unlike the earlier Faces of Death which usually included fake deaths and reenactments, Traces consists mostly of actual footage depicting death and injury, and consists also of public domain footage from other films.
Exposé (also known as House on Straw Hill and Trauma) is a 1976 British psychological horror thriller film [1] that was referred to as a video nasty during the 1980s. [2] It was directed by James Kenelm Clarke, partly financed by Paul Raymond [1] and stars Udo Kier, Linda Hayden and 1970s sex symbol Fiona Richmond.
Rotten.com was an American video and photographic sharing shock and gore site, promoting morbid curiosity and death, active from 1996 to 2012, known for hosting gruesome and bloody images and videos of blood and gore, and death and decomposition, specialising in graphic, gross deaths and violence, including graphic violence.
After years of having her loved ones "on the receiving ends of calls from the New York Times," bracing themselves for the worst possible news, Addario says it takes more "calculation" these days ...
Brooke Muellervoluntarily checked into a trauma facility on the East Coast, her rep confirms to Us Weekly. The news comes on the heels of two explosive Page Six reports regarding the 41-year-old ...
Life coach Sara Schulting-Kranz joins The Doctors to share the important lessons she’s learned from a lifetime of trauma. Psychiatrist Dr. Mike Dow also joins to share about the work that Sara ...
Research on vicarious trauma has focused on how mental health providers, medical workers, and first responders respond to the trauma they hear about in their everyday work experiences. [6] [7] While the person does not directly experience the trauma, they have symptoms like an individual diagnosed with post-traumatic stress disorder. [6]
Previously unused archival footage of the Soviet Union and Russia from the BBC's Moscow bureau was unearthed and digitised by a BBC employee, Phil Goodwin. [1] Adam Curtis appeared to be the only person within the BBC interested in using the footage. [2]