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At Your Doorstep (Spanish: Cerca de tu casa) is a 2016 Spanish home eviction-themed musical drama film directed by Eduard Cortés which stars Sílvia Pérez Cruz. Plot [ edit ]
Ars et labor: Musica e musicisti (Milan, 1906–1912), FT Vita musicale (Milan, 1911–1915), FT Harmonia. Rivista italiana di musica (Rome, 1913–1914), FT La Riforma musicale (Alessandria, Turin, 1913–1919), FT L'arte pianistica (Naples, 1914–1925), FT Ars Nova. Pubblicazione della Società Italiana di Musica Moderna (Rome, 1917–1919), FT
Le arti e le tradizioni popolari in Italia. Primo documentario per la storia dell'etnofonia in Italia (in Italian). Udine: Edizioni Idea. Brody, Elaine (1978). The Music Guide to Italy. Dodd, Mead. ISBN 0-396-07436-7. Gordon, Bonnie (2005). Monteverdi's Unruly Women: The Power of Song in Early Modern Italy. Cambridge University Press.
At 16 he founded a beat group, "Eduardino e i Casanova", with which he recorded the first 45rpm in 1967, "Hai detto no!". [1] After studying classical music and law at the university, in the late seventies De Crescenzo signed a contract with Dischi Ricordi, with whom he published his first single as soloist, "La solitudine" (1978). [3]
One of the album's merengue tracks is "El Costo de la Vida", which is a Spanish-language adaptation of the 1988 soukous song "Kimia Eve" by Congolese band Loketo. [ 3 ] [ 9 ] The band's lead musician and song composer Diblo Dibala makes an appearance on the track playing the soukous guitar for Guerra's cover. [ 9 ]
The list of number-one singles of 1995 in Italy includes all the songs that reached the top spot on the weekly chart compiled by the Italian music magazine Musica e Dischi. Musica e dischi also compiled a weekly albums chart in 1995, but in March of the same year, the Federation of the Italian Music Industry started its own chart, which ...
Jonathan Arons, who is also known as the "dancing trombonist," stole the show at a wedding reception on Nov. 15. The Grammy-winning musician and entertainer wowed wedding guests with his animated ...
Neomelodic music draws on Naples' long history of street entertainment including Commedia dell'arte and La sceneggiata napoletana. The first wave of what is considered as neomelodic was a renaissance of the sceneggiata form, including its typical themes of betrayal, class society, and crime, in the early 1970s.