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The scribal letter known as textur or textualis, produced by the strong gothic spirit of blackletter from the hands of German area scribes, served as the model for the first text types. Johannes Gutenberg, around 1450, invented a lead type mold, applied it to an alphabet of about 24 characters, and used known press technology to print ink on ...
Carolingian minuscule was used to produce many of the manuscripts from monasteries until the eleventh century and most lower-case letters of today's European scripts derive from it. [14] Gothic or black-letter script, evolved from Carolingian, became the dominant handwriting from the twelfth century until the Italian Renaissance (1400–1600 AD).
Cursive is a style of penmanship in which the symbols of the language are written in a conjoined, or flowing, manner, generally for the purpose of making writing faster.. This writing style is distinct from "print-script" using block letters, in which the letters of a word are unconnect
By 1737, the younger Fournier decided to begin creating his punches to a scale of 6 ciceros or 72 points to the Paris inch, instead of the then-standard height-to-paper method. This point is smaller than the subsequent Didot point established by François-Ambroise Didot 38 years later, as Fournier used the Paris foot (0.298 m) and Didot used ...
Court hand: alphabet (upper-cases and lower-cases) and some syllable abbreviations. Court hand (also common law hand, Anglicana, cursiva antiquior, and charter hand [1]) was a style of handwriting used in medieval English law courts, and later by professionals such as lawyers and clerks.
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
From the 11th-century "limb-flowery", "limb-arrowy" and "limb-spotty" decorative forms of Asomtavruli are developed. The first two are found in 11th- and 12th-century monuments, whereas the third one is used until the 18th century. [36] [37] Importance was attached also to the colour of the ink itself. [38]
The long s was derived from the old Roman cursive medial s, . [6] When the distinction between majuscule (uppercase) and minuscule (lowercase) letter forms became established, toward the end of the eighth century , it developed a more vertical form. [ 7 ]
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