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A sleeve tattoo or tattoo sleeve is a large tattoo or collection of smaller tattoos that covers most or all of a person's arm. There is a difference between an arm covered in tattoos and a sleeve tattoo: a sleeve tattoo has a unified theme, whereas an arm covered in tattoos may have many tattoos of different styles that does not have an overall ...
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
[13] [14] Women's tattoos on lips and chin are commonly called pūkauae or moko kauae. [15] [16] Men tended to remove facial hair to keep moko fully visible while some chose to grow out their hair. [17] Due to Christian missionaires having a dislike for moko, some men started covering their moko with facial hair.
Tattoos are known as batok (or batuk) or patik among the Visayan people; batik, buri, or tatak among the Tagalog people; buri among the Pangasinan, Kapampangan, and Bicolano people; batek, butak, or burik among the Ilocano people; batek, batok, batak, fatek, whatok (also spelled fatok), or buri among the various Cordilleran peoples; [2] [3] [11] and pangotoeb (also spelled pa-ngo-túb ...
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Whitmill proposed a tribal design [25] inspired by tā moko, [c] a Māori tattoo style. [26] The design is not based on any specific moko [ 27 ] and was created directly on Tyson's face. [ 28 ] Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [ 29 ] which consists of monochrome ...
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Indigenous American arts have had a long and complicated relationship with museum representation since the early 1900s. In 1931, The Exposition of Indian Tribal Arts was the first large scale show that held Indigenous art on display. Their portrayal in museums grew more common later in the 1900s as a reaction to the Civil Rights Movement.