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Govardhan, Emperor Jahangir visiting the ascetic Jadrup, c. 1616–1620 [1]. Mughal painting is a South Asian style of painting on paper made in to miniatures either as book illustrations or as single works to be kept in albums (), originating from the territory of the Mughal Empire in the Indian subcontinent.
This painting's image measures 197 x 128.5 cm and is the largest known Mughal painting. Gouache with gold on fine cotton Squirrels in a Plane Tree: c. 1610 British Library: One of the most famous painting associated with Abu al-Hasan's name, Squirrels in a Plane Tree, is a depiction of animal posture and
Barbad Plays for Khusraw, Khamsa of Nizami, British Library, Oriental 2265, 1539–43, inscribed Mirza Ali at bottom left. 'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles.
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Painters of Mughal painting, in the Mughal Empire, consisting of what is now India, Pakistan, and Afghanistan in the 16th to 18th centuries. Wikimedia Commons has media related to Mughal painters . Pages in category "Painters from the Mughal Empire"
Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
Miskin (c. 1560 - c. 1604), also known as Miskina, was a Mughal painter in the court of Akbar I. The name 'Miskin' itself is a pen name. [1] Miskin is recorded by the historian and grand vizier of Akbar, Abu'l-Fazl, in a record containing a list of prominent Mughal painters. Further, he is regarded as an extremely skilled painter of animals.
Some of the leaves were brough to Mughal India by Persian artists who moved there in the 16th century, and others were produced by the local court painters. [4] There was also some recycling of images from old, unfinished manuscripts of famous works such as the Shahnameh of Ferdowsi, the Khamsa of Nizami and the Zafarnama of Sharaf al-Din ʿAli ...