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Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [ 1 ] of his study of the artist).
Art writers noted several elements of the painting as dominant, either visually or thematically. Moir, for example, notes the key role that the contrast between light and shadow plays in the composition: a window placed high on the left allows a ray of light to penetrate the room, illuminating, as it slides over the wall, the boy, the lush fruit basket, the shirt sleeve, the sensual bare ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Monet paints the fruit on a diagonally placed table to "anchor his composition in space." [62] Having removed any form of distraction, such as a table or background, [61] Van Gogh placed each piece of fruit by itself, creating a "semi-abstract, decorative effect." [62] Still Life with Quinces and Lemons (F383) is a study in yellow. The painting ...
At the same time, light is intrinsically found in painting, since it is indispensable for the composition of the image: the play of light and shadow is the basis of drawing and, in its interaction with color, is the primordial aspect of painting, with a direct influence on factors such as modeling and relief. [1]
In cartography, the predominant custom of placing the shadow on the right-hand side of hill profiles was established during the 15th century. [3] Computer interfaces tend to use top left lighting as well (cf. Windows 9x and macOS screenshot), although this trend has gradually shifted more towards light coming straight from the top (cf. Android ...
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Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .