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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Table featuring paintings by Thomas Cole; Image Title Year Medium Dimensions Collection Ref. Lake with Dead Trees [note 1] 1825 Oil on canvas 68.6 by 85.7 centimetres (27.0 in × 33.7 in) Allen Memorial Art Museum, Ohio [13] [14] View of Fort Putnam: 1825 Oil on canvas 69.2 by 86.4 centimetres (27.2 in × 34.0 in)
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole. Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School .
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Bateman became a high school teacher of art and geography, and continued focusing his life on art and nature. [2] After two decades as a high school teacher, he became a full-time artist in 1976. A year later Mill Pond Press started making signed, limited edition prints of some of his paintings; over the years, these prints resulted in millions ...
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Although he began painting and drawing at an early age, it was only in 1912, when he was well into his thirties, that he began to paint seriously. [59] [60] His first trips to Algonquin Park inspired him to follow the lead of fellow artists in producing oil sketches of natural scenes on small, rectangular panels for easy portability while ...
Kautzky provided the illustrations, drawings, paintings, and the corresponding technical information, while Reid wrote the text for the books. For the fourth book, Painting Trees and Landscapes in Watercolor (1952), he collaborated with Norman Kent, editor of The American Artist, as Reid had left Pencil Points and was occupied elsewhere ...
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