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Unlike the glass art of the Art Nouveau in France, the Secession glass designs were geometric and abstract, without the curving lines and natural forms of the earlier style. Leopold Forstner was an important artist in this domain, working closely with Otto Wagner and other architects.
In 1907 the building was updated with a new entrance at 15 rue du Quatre-Septembre, designed by Victor Laloux, who also designed the Gare d'Orsay, now the Musée d'Orsay The new entrance featured a striking rotunda with a glass dome over a floor of glass bricks, which allowed the daylight to illuminate the level below, and the three other ...
Rayonnant (French pronunciation: [ʁɛjɔnɑ̃]) style is the third of the four phases of Gothic architecture in France, as defined by French scholars. [8] [9] Related to the English division of Continental Gothic into three phases (Early, High, Late Gothic), it is the second and larger part of High Gothic.
The domain of Art Deco glass art in Paris was dominated by René Lalique, who had first made his reputation at the 1900 Paris Exposition, when he was the first jeweler use glass in jewelry. Besides table glassware, he designed a wide variety of glass art objects, both practical and decorative, including glass hood ornaments for luxury automobiles.
Bedroom in Arles (French: La Chambre à Arles; Dutch: Slaapkamer te Arles) is the title given to three similar paintings by 19th-century Dutch Post-Impressionist painter Vincent van Gogh. Van Gogh's own title for this composition was simply The Bedroom (French: La Chambre à coucher). There are three authentic versions described in his letters ...
Neo-Victorian – Aesthetic movement; Pteridomania – Popular craze in late nineteenth-century United Kingdom; Staffordshire dog figurine – Matching pottery pieces; Hand cooler – egg-shaped item originally made of porcelain, marble, glass or crystal, cooled and carried in the hand
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