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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features.
In the background is Mount Fuji and its snow-capped summit; [20] Mount Fuji is the central figure of the Thirty-six Views of Mount Fuji series, which depicts the mountain from different angles. In The Great Wave off Kanagawa , Mount Fuji is depicted in blue with white highlights in a similar way to the wave in the foreground. [ 21 ]
The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition.
Shan shui (Chinese: 山 水; pinyin: shān shuǐ; lit. 'mountain-water'; pronounced [ʂán ʂwèɪ]) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of shan shui paintings.
The Chinese ink painting tradition of shan shui ("mountain-water"), or "pure" landscape, in which the only sign of human life is usually a sage, or a glimpse of his hut, uses sophisticated landscape backgrounds to figure subjects, and landscape art of this period retains a classic and much-imitated status within the Chinese tradition.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
In the painting Mont Sainte-Victoire Seen from the Bibémus Quarry, c. 1897, as an example from this period, Cézanne concentrated on the peak of the mountain, floating above the reddish rocks below it. The mountain rises above the smooth, angular quarry, the crest tying the landscape together and providing a sense of stability.
Mount Apo is the highest mountain peak in the Philippines, with an elevation of 2,954 meters (9,692 ft) above sea level.A large solfataric, dormant stratovolcano, it is part of the Apo-Talomo Mountain Range of Mindanao island.
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