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In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters.
The traditional typographic units are based either on non-metric units, or on odd multiples (such as 35 ⁄ 83) of a metric unit.There are no specifically metric units for this particular purpose, although there is a DIN standard sometimes used in German publishing, which measures type sizes in multiples of 0.25 mm, and proponents of the metrication of typography generally recommend the use of ...
For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points; [2] metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above. [3] Modern Chinese typography uses the following names in general preference to stating the number of points.
In typography, the body height or point size refers to the height of the space in which a glyph is defined. The metal sort: b is the body or shank, c is the body height or font size. Originally, in metal typesetting, the body height or the font (or point) size was defined by the height of the lead cuboid on which the actual font face is moulded.
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Each individual lays a card face down representing their estimate for the story. Units used vary - they can be days duration, ideal days, t-shirt sizes [6] or story points. During the discussion, estimations must not be mentioned at all in relation to feature size to avoid anchoring. Everyone calls their cards simultaneously by turning them over.
One pica is further divided into 12 points. In printing, three pica measures are used: The French pica of 12 Didot points (also called cicero) generally is: 12 × 0.376 = 4.512 mm (0.1776 in). The American pica of 0.16604 inches (4.217 mm). It was established by the United States Type Founders' Association in 1886.
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