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After 13 years, Rama, Sita & Lakshmana, with the blessings of Atri & Anasuya, arrive at Panchavati. Shurpanakha, sister of Ravana, entices the Rama when Lakshmana cuts off her nose & ears. Being conscious of it infuriated Ravana ploys to seize Sita with the aid of the Maricha, who turns into a golden deer. Entranced by its beauty, Sita pleads ...
Author: Beatrice Pinto: Horizontal resolution: 72 dpi: Vertical resolution: 72 dpi: Software used: Picasa: File change date and time: 17:57, 23 March 2014: Exif ...
Description: painter and creator An Indian painter who achieved recognition for his depiction of scenes from the epics of the Mahabharata and Ramayana.
Rama, Sita, Lakshmana and Hanumana worship at Gibraltar Hindu Temple, Gibraltar. As part of the Bhakti movement, Rama and Sita became the focus of the Ramanandi Sampradaya, a sannyasi community founded by the 14th-century North-Indian poet-saint Ramananda. This community has grown to become the largest Hindu monastic community in modern times.
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The most notable story involving Rama is the kidnapping of Sita by the demon-king Ravana, followed by Rama and Lakshmana's journey to rescue her. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibilities of an individual.
Adhyatma Ramayana represents the story of Rama in a spiritual context. The text constitutes over 35% of the chapters of Brahmanda Purana, often circulated as an independent text in the Vaishnavism tradition, [9] and is an Advaita Vedanta treatise of over 65 chapters and 4,500 verses. [5] [10] [11] Rama, Lakshmana and Sita
A painting of the temple's deities Rama, Sita, and Lakshmana in the Yogananda Narasimha temple, Bhadrachalam. The temple is divided into three parts. The first is believed to be the head of Bhadra, where a shrine is dedicated to him. [23] Inside, on a rock structure, the supposed footprints of Rama can be seen. [12]