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Six Studies in English Folk Song; Sonata for Clarinet and Piano (Bernstein) Clarinet Sonatas (Brahms) Clarinet Sonata (Howells) Clarinet Sonata (Mendelssohn) Clarinet Sonata (Poulenc) Clarinet Sonata (Ries) Clarinet Sonata (Saint-Saëns) Clarinet Sonatina (Martinů)
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
The work consists of an "outward" section labeled Original, followed by a "return" section labeled Miroir (Mirror), each lasting about 15 minutes. [3] Each section is composed of six sheets or cahiers (notebooks) marked A–F. [4] In the solo clarinet version, the performer plays the six Original sections in a sequence he or she chooses, after which the six Miroir sections are played. [4]
Concerto for Tuba or Bass Trombone and Piano, (1995) Concertino for Bass Trombone and Trombone Choir, (1996) Ballade for Bass Trombone and Piano, (1996) Original version for clarinet and string orchestra; Rhapsody for Bass Trombone and Piano, (1997) Original version for bass trombone and string orchestra; Songs for Love and Loss, (2004)
Note that works for piano solo (or, for example, cello solo) are in the solo instrumental category, however, works for 2 or more pianos (2 or more cellos, etc.) are in the chamber category. Many pieces by Feldman are titled after the instruments used: for example, Two Pieces for Clarinet and String Quartet is scored precisely for clarinet and ...
The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
World (1968/74), for 6 voices, 2 flutes (both doubling piccolo and the second alto flute), 2 oboes (one doubling oboe d'amore, the other cor anglais), 2 clarinets (the second doubling E-flat clarinet), 2 piccolo trumpets, trombone, tuba, 3 percussionists, cimbalom, celesta, 2 pianos, harp, 2 violins, 2 violas, 2 cellos, 2 double basses [19'] [2]
In many pieces in three contrapuntal parts, only two of the voices are in canon, while the remaining voice is a free melodic line. In Dufay's song "Resvelons nous, amoureux", the lower two voices are in canon, but the upper part is what David Fallows describes as a "florid top line": [11] Dufay, "Resvelons nous" Dufay, "Resvelons nous amoureux"
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