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Stompin' Room Only: Greatest Hits Live 1974–76 is an album recorded by the Marshall Tucker Band that contains live recordings from London, Manchester, Milwaukee and Charlie Daniels' "Volunteer Jam" in Murfreesboro. They were planned to be released in 1977, but the tapes were shelved and then lost.
Toy Talmadge Caldwell Jr. (November 13, 1947 – February 25, 1993) was an American musician who was most notable as the lead guitarist and main songwriter of the 1970s Southern Rock group The Marshall Tucker Band. [1] A founding member of the band, Caldwell remained with the group until 1983.
Following the bankruptcy of Capricorn, the Marshall Tucker Band moved to Warner Bros. Records in 1979 for their ninth album, Running Like the Wind (the band's eighth release was a compilation album entitled Greatest Hits), and they retained Levine as the album's producer. In August 1979, the band played at Knebworth Festival in England.
Running Like the Wind is The Marshall Tucker Band's ninth studio album (including the band's 1978 compilation, Greatest Hits) with its title track, "Running Like the Wind," being one of the band's most popular songs. The more jazzy "Last of the Singing Cowboys" was the single from the album, reaching #42 on the US Billboard Hot 100.
The album's musical style incorporates elements of psychedelic, jam band, jazz, R&B, gospel and folk. [1] Guitarist/songwriter Toy Caldwell drew heavily from bluegrass and country while writing songs for the band's debut. [4] The album's eclectic style has been categorized as country rock [1] and Southern rock. [2]
"Can't You See" is a song written by Toy Caldwell of The Marshall Tucker Band. The song was originally recorded by the band on their 1973 debut album, The Marshall Tucker Band, and released as the album's first single. Record World called it "a strong rhythm item that continually builds and builds."
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Where We All Belong is a double album, consisting of a studio album and a live album. [1] The staff writers of Classic Rock had differing opinions on where the style of the studio disc placed, with one writer opinining that, despite the band's status as a Southern rock group, the studio recordings were not Southern rock at all, but somewhat jazzy, commercial rock music, comparable to the band ...
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