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Transition to Renaissance: Renaissance: c. 1400–1600: ... Power is the composer best represented in the Old Hall Manuscript, ... Renaissance Music (1450–1600 ...
c. 1400 – 1455 Burgundian Nicolaus Zacharie: c. 1400 or before – 1466 Italian Johannes Cornago: c. 1400 – after 1475 Spanish Gilles Binchois (Gilles de Bins) c. 1400 – 1460 Burgundian Richard Loqueville: died 1418 French G. Dupoitt: fl. c. 1420-1430: French Acourt: fl. first half of the 15th century: French Arnold de Lantins: fl. 1423 ...
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music .
The table of years in music is a tabular display of all years in music, to provide an overview and quick navigation to any year. Contents: 1300s – 1400s – 1500s – 1600s – 1700s – 1800s – 1900s – 2000s – Other
Toggle Renaissance (1400–1600) subsection ... both instruments that are now obsolete and early versions of instruments that continued to be used in later classical ...
The following is a chronological list of classical music composers who lived in, worked in, or were citizens of France. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources. Medieval Leonin (c. 1150 – 1201) Perotin (1160 – 1230) Adam de la Halle (1240 – 1287) Philippe de Vitry (1291 ...
Early music – generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music.
The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...