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  2. Laurens van der Meulen - Wikipedia

    en.wikipedia.org/wiki/Laurens_van_der_Meulen

    He sculpted statues and was active as a painter, but was mainly a creator of decorative sculptures such as picture and mirror frames, allegorical medallions, tables, etc. He decorated many churches and houses with his ornaments composed of garlands of finely chiseled flowers similar to the fine carvings of a goldsmith.

  3. Newcomb-Macklin Company - Wikipedia

    en.wikipedia.org/wiki/Newcomb-Macklin_Company

    Newcomb-Macklin picture frames were distinguished by their unique, perpendicular corner splines, a construction feature that prevented the corners of a frame from separating over time. [6] Basswood was the company's preferred wood for hand-carving, eventually giving way to poplar as the domestic supply of basswood dwindled in the 1960s.

  4. Girandole - Wikipedia

    en.wikipedia.org/wiki/Girandole

    In the mid-18th century in England, it referred to a large gilded decorative sconce, or a wall light backed with a mirror. Later the mirror, especially if it is circular and convex, may be called girandole by itself without the candle holders. [3] The wall-mounted lighting device is a common definition of girandole in English today.

  5. Ree Drummond Is 'Obsessed' With This Furniture Trend Making a ...

    www.aol.com/ree-drummond-obsessed-furniture...

    Aside from larger furniture pieces, you can also hang a bobbin mirror or picture frame on your wall or try a set of spindle candlesticks on your fireplace mantle. Talk about adding instant charm ...

  6. Āina-kāri - Wikipedia

    en.wikipedia.org/wiki/Āina-kāri

    Āina-kāri in the main hall of Emarat-e Badgir in Golestan Palace. Āina-kāri [1] (Persian: آینه‌کاری, Urdu: آئینہ کاری) is a kind of interior decoration where artists assemble finely cut mirrors together in geometric, calligraphic or foliage forms (inspired by flowers and other plants). [2]

  7. National Museum of Decorative Arts, Buenos Aires - Wikipedia

    en.wikipedia.org/wiki/National_Museum_of...

    All the frames, the wooden plates joining the ceiling by means of a decidedly curved carving, the angles of the room and the union of the walls with the ceiling are based upon curved lines. The pale colors, the use of the light and its reflections, the abundance of the gilding and of mirror-panels hide the limits of the actual space.

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