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Pottery techniques include the potter's wheel, slip casting and many others. Methods for forming powders of ceramic raw materials into complex shapes are desirable in many areas of technology. For example, such methods are required for producing advanced, high-temperature structural parts such as heat engine components, recuperators and the ...
Pitchers are pottery that has been broken in the course of manufacture. Biscuit (unglazed) pitchers can be crushed, ground and re-used, either as a low-percentage addition to the virgin raw materials on the same factory, or elsewhere as grog. Because of the adhering glaze, glost pitchers find less use.
The production of Saint-Porchaire ware was labour-intensive, and in overall decorative design, no two pieces are alike. The basic clay shapes were thrown on the wheel and perhaps refined on the lathe or were assembled from shaped slabs of clay; the candlesticks, for example, were assembled from more than a hundred separate components. [13]
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery (plural potteries).
16th-century German stoneware jug Nazca, effigy vessel formed as a lobster, AD 300–600 (Early Intermediate Phases III–IV). A bridge-spouted vessel is a particular design of ewer (jug or pitcher) originating in antiquity; there is typically a connecting element between the spout and filling aperture, and the spout is a completely independent aperture from the usually smaller central fill ...
Pottery production continued under their rule, but their own artistic traditions merged to some extent with the Chinese, producing characteristic new styles. The fine pottery of all these regions was mainly high-fired, with some earthenware produced because of its lower cost and more colourful glazes.
The maker would take the clay and mix it with the temper (the rock pieces, ash, or sand). Temper served as a strengthening device for the pottery. Once worked into a proper consistency, the shape of the piece was created. A potter's wheel was not used in creating this pottery. Instead, they used coil and slab techniques.
Techniques and designs of Islamic pottery were brought to Spain by the Moors by the end of the 12th century as Hispano-Moresque ware. From there they influenced late medieval pottery in the rest of Spain and Europe, under the name majolica. [8] [19] Spanish craftsmen from Talavera de la Reina (Castile, Spain) adopted and added to the art form ...
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