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A short sample of the sound of the bass clarinet Four modern short bass clarinets, from left to right Leblanc L400, Signet Selmer 1430P, E. M. Winston, Leblanc 330S Two short bass clarinets, on the right side made from boxwood. The bass clarinet is a musical instrument of the clarinet family.
Harry Sparnaay was musician-in-residence and gave masterclasses at several universities all over the world and was professor of bass clarinet and contemporary music at the Conservatory of Amsterdam for 35 years, where his unique bass clarinet program attracted students from all over the world, many of them prize winners of major competitions.
In 1996, Boots developed the concept for Edmund Welles, and began arranging and composing for it. Some of the group's compositions were an outgrowth of repertoire of Magnesium, a power trio in which Boots had played "robot bass clarinet," a specially modified bass clarinet played with amplification and effects, and performing a bass role.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
Fritz Wurlitzer in his workshop in the 1970s Fritz Wurlitzer Double Bass Clarinet. Fritz Ulrich Wurlitzer (21 December 1888 – 5 or 9 April 1984) was a German clarinet maker, based in Erlbach in Vogtland, Saxony. He developed the Reform Boehm clarinet and made improvements to the Schmidt-Kolbe clarinet [1] and the German bass clarinet. [2]
A 1978 inventory lists 127 surviving instruments by Grenser, most of them bassoons and flutes, but also including basset horns, clarinets, oboes, fagottini, and one each of bass clarinet, cor anglais, oboe d'amore, bass horn, contrabassoon, hunting horn, and recorder.
Catlin appears to have been one of the first successful manufacturers of bass clarinets in the world. An alto clarinet, unsigned but of similar design to Catlin's bass clarinets and very probably by him or by one of his students, has survived; made circa 1820, it is one of the first known examples of the instrument. [1] [3]
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
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