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In Conway's Game of Life and other cellular automata, a still life is a pattern that does not change from one generation to the next. The term comes from the art world where a still life painting or photograph depicts an inanimate scene. In cellular automata, a still life can be thought of as an oscillator with unit period. [1]
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Zurbaran isolates the objects from one another – even the composition appears to be a conscious, though not excessively artificial arrangement. Against the dark background, the objects are completely static, and appear to be torn out of the context of everyday life. The human beings to whom they apparently belong have no place here.
Still Life with Lemons on a Plate (F338) is one of the paintings that Enrica Crispino, author of "Van Gogh" uses to illustrate Van Gogh's progression in the use of light and movement from colors darkened with black to "pure color". [65] Van Gogh made Still life with Carafe and Lemons (F340) quickly, with a very thin layer of paint that does not ...
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]
Color constancy: The colors of a hot air balloon are recognized as being the same in sun and shade. Example of the Land effect. Color constancy makes the above image appear to have red, green and blue hues, especially if it is the only light source in a dark room, even though it is composed of only light and dark shades of red and white.
The painting is one of several Van Gogh examples of overabundance in still life, filling the picture plane with the vase and overflowing flowers. Other examples are Still Life with Carnations and Still Life with Anemones. [3] The exuberant bouquet of roses is said to be one of Van Gogh's largest, most beautiful still life paintings.