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The Spoliarium is a painting by Filipino painter Juan Luna. Luna, working on canvas , spent eight months completing the painting which depicts dying gladiators. The painting was submitted by Luna to the Exposición Nacional de Bellas Artes in 1884 in Madrid , where it garnered the first gold medal (out of three). [ 1 ]
Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became the inaugural recipient of one ...
Paintings by Philippine artist Juan Luna (1857 — 1899) ... Spoliarium; T. Tampuhan (painting) This page was last edited on 20 April 2022, at 12:39 (UTC). ...
Hymen, oh Hyménée! is a history painting done in the historical realism style, which is closely associated with Luna's earlier notable works such as Spoliarium (1884) and The Death of Cleopatra (1881). This artwork portrays a scene from a Roman wedding ritual, specifically the moment when the bride is entering the groom's chamber.
The song got its name from the Juan Luna painting of the same name. It features six guitar parts and a mix of live drums and drum loops inspired by trip hop, according to drummer Raimund Marasigan. [1] "Spoliarium" became the subject of an urban legend referencing Filipino-American actress Pepsi Paloma's rape case in 1982.
An oil on canvas painting measuring 1.15 m × 1.57 m (45 in × 62 in), Las Virgenes Cristianas Expuestas al Populacho is a "landmark painting" depicting the persecution of Christians in Ancient Rome. [3]
La barca de Aqueronte, translated in English as The Boat of Charon [1] or Charon's Boat, [2] is an 1887 oil-on-canvas and allegorical painting [1] [2] by the Filipino painter Félix Resurrección Hidalgo. The work was a gold medalist during the Exposicion General de las Filipinas [1] (International Philippine Exposition) in Madrid. [3]
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".