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The Cross of Jerusalem, or "Crusaders' Cross", remembers the Five Holy Wounds through its five crosses. The Holy Wounds have been used as a symbol of Christianity. Participants in the Crusades would often wear the Jerusalem cross, an emblem representing the Holy Wounds; a version is still in use today in the flag of Georgia.
Western crucifixes may show Christ dead or alive, the presence of the spear wound in his ribs traditionally indicating that he is dead. In either case his face very often shows his suffering. In the Eastern Orthodox tradition he has normally been shown as dead since around the end of the period of Byzantine Iconoclasm. [12]
Crucifixions and crucifixes have appeared in the arts and popular culture from before the era of the pagan Roman Empire.The crucifixion of Jesus has been depicted in a wide range of religious art since the 4th century CE, frequently including the appearance of mournful onlookers such as the Virgin Mary, Pontius Pilate, and angels, as well as antisemitic depictions portraying Jews as ...
The Santa Croce Crucifix is one of the earliest and best-known examples of the type. [16] The work surpasses Cimabue's c. 1268 Arezzo crucifix in several ways. It is more human and less reliant on idealised facial types, [13] and the anatomy is more convincing. Christ's face is longer and narrower, and his nose is less idealised.
The Holy Lance with which a Roman soldier inflicted the final of the Five Wounds in his side; The Nails, inflicting four wounds on the hands and feet; The Veil of Veronica; Other common ones are: The reed which was placed in Jesus' hand as a sceptre in mockery; The purple robe of mockery; The Titulus Crucis, attached to the Cross.
The Přemyslid Crucifix, modern replica, parish Church of St. James the Great, Jihlava. The cross of the Church of St. Maria im Kapitol in Cologne dating from 1304 [4] provided the model for the expressive anticlassical style of the 'mystical crucifixes' (crucifix dolorosum, Gabelkrucifix) that originate in the German Rhineland region.
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