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Chopin at 25, by Maria Wodzińska, 1835. Most of Frédéric Chopin's compositions were for solo piano, though he did compose several pieces for piano and orchestra (including two piano concertos) as well as some chamber works that include other instruments.
This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), Józef Michał Chomiński (A, C, D, E, P, S), and the Chopin National Edition (WN). The last opus number Chopin used was 65, that allocated to the Cello Sonata in G ...
Frédéric François Chopin [n 1] (born Fryderyk Franciszek Chopin; [n 2] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique ...
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Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
List of literary works by César Cui; List of musical pieces which use extended techniques; List of musical works recorded by Daniil Trifonov; List of prose works by Richard Wagner; List of Roger Woodward's principal first performances, recordings, and publications; List of unpublished musical compositions; List of variations on a theme by ...
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.
Hexameron, a collaborative piano work by Frédéric Chopin, Carl Czerny, Henri Herz, Franz Liszt, Johann Peter Pixis and Sigismond Thalberg, who all wrote variations on a theme from I puritani Friedrich August Kummer : Adagio et variations sur un thème de l'opéra I Capuleti e i Montecchi , Op. 31 (cello and piano or string quartet)