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Record Breakers was a British children's TV show, themed around world records and produced by the BBC. It was broadcast on BBC1 from 15 December 1972 to 21 December 2001. [1] It was originally presented by Roy Castle with Guinness World Records founders twin brothers Norris McWhirter and Ross McWhirter.
This was the moment when he tap-danced his way to a new record and raised £1 million for charity. The comedian, host of TV's Record Breakers, averaged nearly twelve steps a second during the sponsored feat in London. Roy, 53, had already qualified as the world's fastest tap-dancer."
Kennedy's TV appearances include the 1971 series The Witch's Daughter, Sutherland's Law and Mauro the Gypsy, made for The Childrens Film Foundation and released in 1972, four series of Record Breakers on BBC1 and the New Year Show with Sir Trevor MacDonald. She also presented Behind the Scenes at Monarch of the Glen.
The song still holds the record for the longest song-title ever to hit the UK chart. [ 3 ] [ 4 ] As hinted by the title, the song follows a man happy to be with his romantic partner: "And I end up crying, but listen/ I can be a millionaire/ Honey when you're standing there/ You're so exciting/ You can make me dance."
Also included on the album is "Record Breaker", a song from Geronimo's Sunsilk endorsement. The album was made available on digital download through iTunes on July 5, 2009. [2] It reached platinum status after a month of its release, eventually selling 20,000 copies.
On Record Breakers Baker set a world record for the longest rope slide, descending from Blackpool Tower, and was part of the world's largest Jazz ensemble and the longest Riverdance line. [66] In 1987, Baker and Gyles Brandreth kissed onscreen for three minutes and 33 seconds, longer than the then-record longest onscreen kiss. [73]
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"Breakers" received positive reviews from most music critics.The song was chosen upon release as Pitchfork Media's "Best New Track". Ian Cohen noted that "you can hear the influence of tourmates Arcade Fire and the National in the drums and the production, which shift Local Natives away from the more wooly sounds of Gorilla Manor to something more streamlined and arena-filling."