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Of all the traits, openness to experience has been shown to have the greatest effect upon genre preference. [10] [11] [21] In general, those rated high in openness to experience prefer music categorized as more complex and novel, such as classical, jazz, and eclecticism, [22] as well as intense and rebellious music.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
The neuroscience of music is the scientific study of brain-based mechanisms ... through intense musical training results in achievement of a superior ability for ...
Anita Stewart, Managing Editor for Rock at Night said that "Their music is intense, with a huge wall of sound from layered synths, dramatic guitar and beautiful harmonies" going on to profess that "The band’s previous stand-out single “The Flood” received a lot of attention and critical acclaim acquiring millions of streams and awards for ...
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
Hi-NRG (pronounced "high energy") [2] is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s.. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.
With its first line-up consisting of musicians Billy Cobham, Jan Hammer, Jerry Goodman, and Rick Laird, the band received its initial acclaim for its complex, intense music consisting of a blend of Indian classical music, jazz, and psychedelic rock as well as its dynamic live performances between 1971 and 1973.