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The image typically depicts Wojak wearing a black watch cap and a black hooded sweatshirt, with dark circles under his eyes, while smoking a cigarette. The archetype often embodies nihilism , clinical depression , hopelessness, and despair, with a belief in the incipient end of the world to causes ranging from climate apocalypse , to peak oil ...
A white cross-shaped bandage symbol denotes pain. [D 3]: 55 In older manga, eyes pop out to symbolize pain, as shown in Dragon Ball. [citation needed] Thick black lines around the character may indicate trembling due to anger, shock or astonishment. [5] [D 3]: 107 This is usually accompanied by a rigid pose or super deformed styling.
The image was first created by cartoonist A. Wyatt Mann (a wordplay on "A white man"), a pseudonym of Nick Bougas. [1] [2] [3] The image was part of a cartoon that also included a racist caricature of a black man and used these images to say: "Let's face it! A world without Jews and Blacks would be like a world without rats and cockroaches."
This is a list of emoticons or textual portrayals of a writer's moods or facial expressions in the form of icons. Originally, these icons consisted of ASCII art, and later, Shift JIS art and Unicode art. In recent times, graphical icons, both static and animated, have joined the traditional text-based emoticons; these are commonly known as ...
Marcus "Needles" Kane—commonly known as Sweet Tooth—is a fictional character from the Twisted Metal video game series. [1] Sweet Tooth is designed around the premise of a killer clown that drives a combat ice cream truck, and his face has been featured on the cover of every Twisted Metal game, making him the series' mascot.
The smiley is the printable version of characters 1 and 2 of (black-and-white versions of) codepage 437 (1981) of the first IBM PC and all subsequent PC compatible computers. For modern computers, all versions of Microsoft Windows after Windows 95 [ 66 ] can use the smiley as part of Windows Glyph List 4 , although some computer fonts miss some ...
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A caricature of a Jazz Age flapper, Betty Boop was described in a 1934 court case as "combin[ing] in appearance the childish with the sophisticated—a large round baby face with big eyes and a nose like a button, framed in a somewhat careful coiffure, with a very small body of which perhaps the leading characteristic is the most self-confident ...