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Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Latin dance is a mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture. [9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these Latin dances such as: Salsa , Mambo , Merengue , Rumba, Cha-cha ...
José Rosario Oviedo (October 5, 1885 – 1927), better known as Malanga, was a Cuban rumba dancer. He is considered one of the most famous columbia dancers and his mysterious death has been the subject of numerous essays, poems and songs, most notably "Malanga murió", written by Faustino Drake and performed by Arsenio Rodríguez amongst others.
The Cuban bolero dance originated in Santiago de Cuba in the last quarter of the 19th century; [13] it does not owe its origin to the Spanish music and song of the same name. [14] In the 19th century there grew up in Santiago de Cuba a group of itinerant musicians who moved around earning their living by singing and playing the guitar.
Due to its popular origin the “Galician Rumbas” are frequently attributed to unknown authors; and in a similar way as the Muiñeira and other traditional genres, they are named after the town or region where they were collected, like: Rumba de Eo, Rumba de Mallou, Rumba de Cerqueira, Rumba de Anxeriz or Rumba de Vergara.