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The Master and Margaret (Serbo-Croatian: Мајстор и Маргарита, Majstor i Margarita, Italian: Il maestro e Margherita) is a 1972 Italian-Yugoslav film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
Petrović found inspiration for this film in Fyodor Dostoyevsky's novel The Possessed. [6] The film was nominated for a Palme d'Or (Golden Palm) at the 1969 Cannes Film Festival [7] In 1973, Petrović was forced to leave his post at the Belgrade Film Academy after being accused of holding anti-communist views by the communist government of ...
Typical "film noire" [1] plot of the film is not the main message of the film. The film is about fighting good against evil, and how criticism of government by Petrović reached another level as battle between good, in the character of mentally challenged Goca, and evil, in most of the characters in the film.
Aleksandar Petrović (film director) (1929–1994), Serbian film director; Aleksandar Petrović (musician), a member of the Orthodox Celts; Aleksandar Petrović (priest) (1917–1944), Serbian Righteous Among the Nations; Saša Petrović (actor) (1962–2023), Bosnian actor; Alex Petrovic (born 1992), Canadian ice-hockey player
And Love Has Vanished (Serbian: Dvoje) is a 1961 Yugoslavian drama film directed by Aleksandar Petrović. It was entered into the 1962 Cannes Film Festival . [ 1 ]
Canada, for instance, announced billions of new duties in 2018 against the U.S. in a response to new taxes on Canadian steel and aluminum. Canada is the top export destination for 36 U.S. states.
Aleksandar "Saša" Petrović was another of the major figures of the Black Wave. He contributed to the popularization of the movement, both in Yugoslavia and abroad. Two of his works were nominated for the Academy Award for Best Foreign Language Film : Three (1965) in 1966 [ 15 ] [ 16 ] and I Even Met Happy Gypsies in 1967 .