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Dive into Mary Shelley's masterpiece with our 50 quotes from her classic novel.
This is an accepted version of this page This is the latest accepted revision, reviewed on 21 December 2024. 1818 novel by Mary Shelley This article is about the novel by Mary Shelley. For other uses, see Frankenstein (disambiguation). Frankenstein; or, The Modern Prometheus Volume I, first edition Author Mary Shelley Language English Genre Gothic novel, horror fiction, science fiction Set in ...
Boris Karloff as Frankenstein's monster in Bride of Frankenstein (1935) Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, and the famous character of Frankenstein's monster, have influenced popular culture for at least a century. The work has inspired numerous films, television programs, video games and derivative works.
Half of the poem is quoted in his wife Mary Shelley's novel Frankenstein; or, The Modern Prometheus (1818) although his authorship is not acknowledged, while the 1816 poem by Leigh Hunt is acknowledged with the name of the author given. Only Percy Bysshe Shelley is not acknowledged as an author. [1]
Mary Shelley will embody Frankenstein’s lifelong love and betrothed, Elizabeth Lavenza, of whom the Creature ominously warns Frankenstein: “I will be with you on your wedding night.”
Born in Italy, Elizabeth Lavenza was adopted by Victor's family.In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been).
The best-known image of Frankenstein's monster in popular culture derives from Boris Karloff's portrayal in the 1931 movie Frankenstein, in which he wore makeup applied and designed by Jack P. Pierce, who based the monster's face and iconic flat head shape on a drawing Pierce's daughter (whom Pierce feared to be psychic) had drawn from a dream ...
Alienation - the feeling of being different - is at the heart of Mary Shelley's Gothic. [17] During the implementation of Victor's project, horror is adorned with a scientific alibi. Mary Shelley places the act of creation in an experimental context, naming the disciplines involved: physics, chemistry and the natural sciences.