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Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
As the legend goes, Thiruvasagam is the only work which is signed as well as written by Shiva in guise of a Tamil man when narrated by Manikkavasagar. The poet chased the writer but without success but the palm leaf manuscript had been seen inside the locked sanctum sanctorum of Thillai Nataraja with the Lord's signature.
It was also responsible for a resurgence in devotional and mythological cinema, since it was released when Tamil cinema was primarily producing social films. [ a ] Thiruvilaiyadal received the Certificate of Merit for the Second-Best Feature Film in Tamil at the 13th National Film Awards and the Filmfare Award for Best Film – Tamil .
Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century. [2]
Nandanar (தமிழ்: நந்தனார்) is 1942 Indian devotional film, based on the Nandan, a low-caste farmhand, and his deep devotion to Lord Nataraja of Chidambaram. Nandanar was a major success, in part because of an innovative prize scheme.
When Shiva was seated under the shade of a banyan tree, in Kailasa, instructed the rishis about the greatness of the six-headed son of Shiva (Kartikeya) called and implored to be taught the eight forms of prayer. Shiva told them to reverence Parvati, and then they would learn the prayers well.
The Naalayira Divya Prabandham (Tamil: நாலாயிரத் திவ்வியப் பிரபந்தம், romanized: Nālāyira Divya Prabandham, lit. 'Four Thousand Divine Hymns') is a collection of 4,000 Tamil verses composed by the 12 Alvars. [1] It was compiled in its present form by Nāthamuni during the 9th–10th centuries.
Shaiva Siddhanta (IAST: Śaiva-siddhānta) [1] [2] is a form of Shaivism popular in a pristine form in South India and Sri Lanka and in a Tantrayana syncretised form in Indonesia (as Siwa Siddhanta [3]) propounds a devotional philosophy with the ultimate goal of experiencing union with Shiva.
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